Designer Focus: Bunto Kazmi


Today’s topic is extra special to me. My loyal readers are probably sick of hearing this and may know this like they know their social security number, but I have to talk about it.  In this post I will talk all about my favorite Pakistani designer, Bunto Kazmi. You may remember how I learned about her in my college days (see HERE). But the mild admiration has slowly turned into a full-fledged obsession. Yes, I not only follow her official pages on Facebook and Instagram, but also the fake ones that post her bridal outfits (I am not encouraging plagiarism here). I am also the doe-eyed fan who examines endlessly the wedding pictures of Pakistani elite, all to see her latest designs as she famously scrutinizes her intricate embroideries through a magnifying glass.

What is that I know about her and her designs? Having the luck to see two of her designs in person and their luxurious detailing and intricate craftsmanship, I can really get a sense of her work ethic as a designer. She has a predilection for tradition, mostly of Persian and Mughal era. It is her fashion and design tenets that are commended as a perfectionist’s craft. No media hype and advertising for this lady-only her work does the talking. Most of her clients are both young and mature brides-to-be, who are more than happy to specify nothing more than their preferred color palettes, and leave the intricacies to the designer. Yes, you have heard it right. There are no samples to look through. Just trust. Taking the bride as an important consideration, her designs are often unique and reflective of her vision for the bride. The bride and her family only see the final outfit once it’s completed.

Taught by her mother-in-law, Sughra Kazmi, her couture is in a league of its own. Most of Pakistani designers, with an exception of one or two, get their inspiration from the runways of Paris or world arts or architecture. Her inspirations are gleaned from sub-continent heritage, royal courts of Indian and Persia, and folklore transcribed tirelessly onto different type of expensive fabrics. She herself says she is not fond of experimenting with bridals. It is her enterprise that her bride looks traditional and of course beautiful. Another point to be noted is that her bridal outfits (I am not sure about her formal wear) are completely original designs of hers and one-of-a-kind. This operations of course comes at a price. Her couture is expensive, but if seen as heirloom pieces that can be passed from mother to daughter, they can be considered as a priceless article.

Not much of a Pret designer and true to her love of heritage art, she has taken to creating large tapestries for clients as well. She has been designing shawls (besides bridal wear) in a similar style so this was a very organic move for her. Her hand-embroidered tapestries take up to a year-and-a-half to complete and capture kings on horses or my personal favorite-the famous landmarks of Karachi.

Besides the exquisite and elaborate craft as a contribution to the industry, she has also introduced the fashion world with various embroidery methods and designs. The circular kamdani you see on her bridals are purely her concepts and so are the embroidered rosettes that you mostly see on Valima (Reception) brides. Through dedication and diligence, she has stayed true to her mission of being traditional and practiced and honed her craft to perfection. The gorgeous tukriyaan (see HERE) work we see in bridal ghararas are often styled with a long, heavily embellished shirt and dupatta. She does experiment with chatta patti, but tukriyaan is a far more complex method and probably one of her top choices for bridals. One thing I notice is that when she does Baraat (Wedding) bridals, her colors are often deep (and mostly shades of red or orange) and include Mughal influences. Whereas, her Valima (Reception) bridals are often in pastel colors and feature Persian influences. I haven’t seen many Mehndi (Pre-wedding) outfits of hers since I am sure few bridals can afford to pay the price for an even other than the Baraat and Valima. Also, because of the nature of her bridals, it can take up to a year to get the dress ready for your wedding day so plan accordingly.

Well, I hope I have given you a glimpse of the fashion world of Bunto Kazmi. I can’t wait to get my bridal wear from her when I get married. Happy Shopping!!

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